Fugitives.Latest Bollywood Songs Pushpa The Rise Part - 01 Movie | Gangubai Kathiawadi Movie | Jhund Movie | = Movie | Gehraiyaan Movie | Badhaai Do (Original Motion Picture Soundtrack) Movie | Atrangi Re Movie | Defcon 1 Movie | Shershaah Movie | BellBottom Movie | Easy On Me Movie | Top New Hindi Songs Tabahi Song | Dhokha (Feat. Olivia Rodrigo: Driving Home 2 U (a SOUR film) Review.It will be a great break from the monotony 2020 has forced upon us. Overall, Cheeni is a family drama for all ages that’s also a very entertaining package. The characters and their moods and emotions are the focus of the camera from the start till the end. The balanced use of tight and mid shots makes the drama very immersive, while minimising the need to go into too much detail in terms of production design. Technically speaking, the film is a great watch also because the camera manages to catch every expression in scenes with intense drama.

This helps him stand out, in stark contrast to the two tantrum queens. Though Saurav is slightly overshadowed by the two women on screen, he manages to stand his own with some nice low-key acting. Madhumita joins her league when it comes to throwing tantrums and crossing swords with her mother. She is all fluid eloquence when it comes to delivering hilarious one-liners to having a verbal spat with a tenant. And this is one of the areas where Aparajita shines. It’s actually the humour that adds that right balance to the film, which otherwise has a rather serious premise. It’s this drama that dominates the film, interspersed with dollops of humour. There is, however, a huge chasm between Cheeni and Mishti, though both women are fighting demons created by a common past. While Cheeni is a ‘20th century woman’ fighting her own battles, managing a demanding career, taking time out for her relationship and grappling with personal demons created during years spent growing up in a dysfunctional family, Sudip is more conservative and dreams of a stable relationship and family with kids of their own. The Mainak touch is apparent in the storyline, which is a balanced mix of everything millennial and a couple of generations ahead.

True, Cheeni is the central character and Madhumita has done complete justice to the role, but Aparajita steals the show by playing a carefree mother in her fifties – a woman who seems to have spread wings after her abusive husband passes away. First off, the film’s name should have been Mishti.

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